Sunday, March 4, 2012
MegaCurtis for iPhone
Completely rewritten for better performance, longer recording time, session recording, polyphony, high-res display and more!
80% DISCOUNT FOR A LIMITED TIME!
ps
but incompatible with iphone 3gs "requires camera flash" wtf?
Sunday, January 22, 2012
Sbtrkt - Something goes right
Yeah, something goes right,
Yeah something goes right
and you're hoping that it goes right, that it goes right, that it goes right oh
You wouldn't even know, you wouldn't even care,
you wouldn't even know, you wouldn't even care
I've been there though, I've been there though, I've been there though-oh.
Standing in a dream world, sitting next to you, up in the clouds, up up in the clouds, up up in the clouds
Sitting on the edge, looking down at the earth
Looking up into space, up up into space, up up into space
(Chorus) Is it better to let you go?
Or is it better to let you know?
You should t-t-t-take it, you should t-t-t-take it back
Is it better to let you go?
Or is it better to let you know?
You should t-t-t-take it, you should t-t-t-take it back
I've only got myself self self to blame
Love something thinking things will never change
These feelings probably will still still remain, I was always hurt
& I've been feeling like this most most of my life woah
I've been feeling like things aint gonna change
Things aint gonna get it back?
(chorus)
I keep on having these conversations & p-p-p-praying
I keep on staring at these constellations & p p p praying
and these bitter thoughts that keep on escaping
I wish that they were staying and something would go right and something will go right, go right
Dont you bring me down. Dont you bring me down. Dont you bring me down.
(Chorus)
Yeah, something goes right,
Yeah something goes right
and you're hoping that it goes right, that it goes right, that it goes right oh
You wouldn't even know, you wouldn't even care,
you wouldn't even know, you wouldn't even care
I've been there though, I've been there though, I've been there though-oh.
Standing in a dream world, sitting next to you, up in the clouds, up up in the clouds, up up in the clouds
Sitting on the edge, looking down at the earth
Up into space, up up into space, up up into space
UAD Apollo at NAMM 2012
Features
Audio Interface
Sample rates up to 192 kHz at 24-bit word length
18 x 24 simultaneous input/output channels:
Eight channels of analog-to-digital conversion via mic, line, or high-impedance inputs
14 channels of digital-to-analog conversion via:
Eight mono line outputs
Stereo monitor outputs
Two stereo headphone outputs
10 channels of digital I/O via:
Eight channels ADAT Optical I/O with S/MUX for high sample rates
Two channels coaxial S/PDIF I/O with sample rate conversion
Two FireWire 800 ports for daisy-chaining other FireWire devices
32-bit and 64-bit device drivers
Microphone Preamplifiers
Four high-resolution, ultra-transparent, digitally-controlled analog mic preamps
Front panel and software control of all preamp parameters
Switchable low cut filter, 48V phantom power, 20 dB pad, polarity inversion, and stereo linking
Monitoring
Stereo monitor outputs (independent of eight line outputs)
Digitally-controlled analog monitor outputs maintains highest fidelity
Front panel control of monitor levels and muting
Two stereo headphone outputs with independent mix buses
Independent front panel analog volume controls for headphone outputs
Front panel pre-fader metering of monitor bus levels
S/PDIF outputs can be set to mirror the monitor outputs
Onboard UAD-2 Processing
DUO and QUAD models featuring two or four SHARC processors
Realtime UAD Powered Plug-Ins processing on all of Apollo’s analog and digital inputs
Same features and functionality as other UAD-2 products when used with DAW
Can be combined with other UAD-2 devices for increased mixing DSP
Includes UAD Powered Plug-Ins “Analog Classics” bundle
Complete UAD-2 Powered Plug-Ins library is available online 24/7
Software
Console application:
Enables Realtime UAD Powered Plug-Ins processing
DSP mixer for realtime monitoring and tracking
Remote control of all Apollo features and functionality
Console Recall plug-in:
Saves Apollo configurations inside DAW sessions for easy recal
Enables control of all front panel parameters from within the DAW
VST, RTAS, and Audio Units plug-in formats
UAD Meter & Control Panel application:
Configures global UAD-2 and Powered Plug-Ins settings and monitors system usage
Behringer introduces electronic durm kits at NAMM 2012
So how does it compare to Alesis, Roland, Yamaha drum kits? What the best price/value/features/quality electronic drum kit for the beginner or intermediate drummer would be?
If you have an opinion leave the comment please
http://www.alesis.com/drumscompare
http://www.roland.com/V-Drums/
http://usa.yamaha.com/products/musical-instruments/drums/el-drumkit/
http://www.behringer.com/EN/Category/Musical-Instruments.aspx?s=S600
p.s. In last Rythm magazine Geoff Nicholls gives some advice on the subject in proce tag under 800 quids, but what about 300 euro/dollars price tag ?
If you have an opinion leave the comment please
http://www.alesis.com/drumscompare
http://www.roland.com/V-Drums/
http://usa.yamaha.com/products/musical-instruments/drums/el-drumkit/
http://www.behringer.com/EN/Category/Musical-Instruments.aspx?s=S600
p.s. In last Rythm magazine Geoff Nicholls gives some advice on the subject in proce tag under 800 quids, but what about 300 euro/dollars price tag ?
Behringer iStudio for iPad at NAMM 2012
Professional iPAD Docking Station with Audio, Video and Midi Connectivity
Universal Docking Station for APPLE iPAD and iPAD2
Connect your microphones, instruments and audio sources to virtually any audio/MIDI app with the iSTUDIO
Core Audio/MIDI compatible for use with any iOS App
Versatile I/O functionality with adjustable headphone output and direct monitoring control
Separate Video output for connecting your iPAD to TVs and projectors
Standard MIDI I/O plus USB-to-host connectors for ultimate MIDI connectivity
iPAD powering and battery charging via the iSTUDIO dock
Ergonomic design layout – all control elements on top panel with headphone connector on front
Slide-in access for mating with iPAD dock connector (suitable for iPAD 1 & 2)
Locating holes for BEHRINGER P16-MB mounting bracket to attach iSTUDIO to a standard mic, music or drum stand (P16-MB not included)
Universal switch-mode power supply with country-specific wall socket adapter included
High-quality components and exceptionally rugged construction ensure long life
DigiTech iStomp - future of the stompbox
Mackie DL1608, iPad and Psychodelic Trip into the Mix
With
the Mackie DL1608’s seamless wired to wireless mixing capabilities,
you can mix in real time from anywhere in the venue on your iPad®.*
Instantly adjust mix functions from tuning front of house trouble
spots to ringing out stage monitors.
*An
additional Wi-Fi router is required and must be connected to the
DL1608. The iPad must be within range of the Wi-Fi router to enable
wireless mixing functionality. Wi-Fi router not included.
The
Mackie DL1608 comes loaded with 16 studio-quality Onyx mic preamps
that deliver depth, headroom and immense detail to your live mix.
Plus, with 12 XLR and four combo mic/line inputs, connecting mics and
instruments is quick and easy.
The
Mackie DL1608’s high-end 24bit Cirrus Logic® AD/DA converters
offer a remarkable 114 db dynamic range. We align our Onyx pre-amps
precisely with the converters to provide you with the most headroom
and the lowest noise and distortion possible—resulting in brilliant
sound quality from a vocal whisper to a wailing guitar solo.
The
DL1608 is loaded with a choice of powerful plug-ins on every channel,
so you won’t need to set up additional racks of outboard gear. With
just the touch of a finger, you have total control over 4-band EQ,
compression and gate plug-ins. Plus, sweeten your sound with a
full-featured reverb and tap delay or adjust your mix to the room
with the 31-band graphic EQ and compressor/limiter on the main and
aux outs.
Supporting
up to 10 iPads simultaneously, the Mackie DL1608 allows multiple
engineers to control the mix. Plus, it gives band members the ability
to adjust their own monitors. Now, the band can dial in the mix they
want to hear in real time right on stage.
The
Mackie DL1608 allows you to recall mix functions with just the touch
of a finger. With Total Snapshot Recall*, you can now easily save
and access sound check settings for multiple bands, complex song
mixes, previous mixes from challenging venues, recall scenes for
theater productions and more. You can even pre-set the mixing board
and be ready to go the moment you arrive. *Mic pre-amp gains are not
recallable.
Quickly
set up a new mix with the DL1608’s Channel Presets. With simple
touch screen control, you can immediately assign a factory or your
own custom channel preset for kick drum, bass, guitar, keyboard and
more to any channel you choose. And when you’ve made the perfect
settings, easily save them for later use and share them with your
friends.
The
Mackie DL1608 lets you to record your mix from the L/R stereo outputs
directly to your iPad, allowing you to upload it to your favorite
application and share it with others.
Whether
you want to play pre-show music or add a Garage Band track to your
live mix, with the Mackie DL1608 you can bring in stereo audio from
any iPad application. Best of all, with the pre-assigned iPad
channel, you can do it without using up one of the mixers 16
channels.*
*iPad
must be docked.
The
DL1608 lets you take a picture of band members with your iPad or
choose your own picture to help you easily identify your assigned
channels. There's a choice of included icons to get you up and
running.
The
Mackie DL1608 is perfect for installing in venues. With its easy to
use Master Fader iPad application it has never been easier to train
up new sound engineers. Plus, forget the bulky racks of outboard
gear, the powerfully small, low profile design lets you install it
just about anywhere.
The
DL1608 is big on security. The PadLock™ feature locks down your
iPad for permanent installs, while the Kensington lock—the industry
standard in protecting technological equipment—secures the mixer to
guard it from theft.
Arturia MiniBrute
MiniBrute is a revolutionary new analog synthesizer from Arturia. Featuring a pure analog signal path and a host of unique features, it sets a new standard for what a hardware synthesizer should be.
Its 100% analog audio signal path features a VCO wave mixer, the classic Steiner-Parker multimode filter, as well as numerous analog innovations such as the Metalizer, Ultrasaw,and the Brute Factor™. Boasting a complete MIDI, CV and USB connectivity, MiniBrute is right at home with your computer or your vintage synths, making it the ideal companion to deliver a pure analog blast anywhere you go.
Its 100% analog audio signal path features a VCO wave mixer, the classic Steiner-Parker multimode filter, as well as numerous analog innovations such as the Metalizer, Ultrasaw,and the Brute Factor™. Boasting a complete MIDI, CV and USB connectivity, MiniBrute is right at home with your computer or your vintage synths, making it the ideal companion to deliver a pure analog blast anywhere you go.
MAIN FEATURES:
|
|
USD 549.00 / EURO 499.00- AVAILABLE APRIL 2012
Monday, January 9, 2012
Spark Digital: USB Microphone for iPad
Spark Digital is the world's first studio-grade condenser microphone to offer both USB and iPad connectivity. Expanding on the professional and sound of Blue's Spark XLR studio microphone, Spark Digital features the same studio-grade condenser capsule and hand-tuned components for high-fidelity recording and consistence performance in any situation– vocals, drums, piano, speech, location recording and more.
Spark Digital also includes the Focus Control, providing two different sonic options in one mic at the push of a button. Complete with an adjustable desk stand and built-in shockmount, Spark Digital also includes y-cables for each platform with a headphone jack for zero-latency real-time monitoring. With a full range of recording capabilities, Spark Digital turns your iPad into a true mobile studio.
via
http://www.idesignsound.com/blue-microphones-announce-spark-digital-usb-microphone-for-ipad/
http://www.bluemic.com/spark_digital/
Saturday, January 7, 2012
Somebody That I Used To Know
Gotye (feat. Kimbra) and the cover by Walk of the Earth played by 5 people on one guitar !
Now and then I think of when we were together
Like when you said you felt so happy you could die
I told myself that you were right for me,
But felt so lonely in your company
But that was love and it's an ache I still remember
You can get addicted to a certain kind'a sadness
Like resignation to the end, always the end
So when we found that we could not make sense
Well you said that we would still be friends
But I'll admit that I was glad it was over
But you didn't have to cut me off
Make out like it never happened and that we were nothing
I don't even need your love, but you treat me like a stranger
And that feels so rough
No, you didn't have to stoop so low
Have your friends collect you records
And then change your number
Guess that I don't need that though
Now you're just somebody that I used to know
Now you're just somebody that I used to know
Now you're just somebody that I used to know
Now and then I think of all the times you screwed me over
But had me believin it was always something that I'd done
But I don't wanna' live that way,
reading into every word you say
You said that you could let it go,
and I wouldn't catch you hung up on somebody that you used to know-oh-oh
but you didn't have cut me out
Make out like it never happened and that we were nothing (oh)
I don't even need your love, but you treat me like a stranger
and that feels so rough
(oh)
No, you didn't have to stoop so low
Have your friends collect you records
And then change your number (oh)
Guess that I don't need that though
Now you're just somebody that I used to know
somebody that I used to know
somebody (now your just somebody that I used to know)
that I used to know
somebody that I used to know
somebody (somebody)
that I used to know
I used to know
That I used to know
I used to know
Somebody
Now and then I think of when we were together
Like when you said you felt so happy you could die
I told myself that you were right for me,
But felt so lonely in your company
But that was love and it's an ache I still remember
You can get addicted to a certain kind'a sadness
Like resignation to the end, always the end
So when we found that we could not make sense
Well you said that we would still be friends
But I'll admit that I was glad it was over
But you didn't have to cut me off
Make out like it never happened and that we were nothing
I don't even need your love, but you treat me like a stranger
And that feels so rough
No, you didn't have to stoop so low
Have your friends collect you records
And then change your number
Guess that I don't need that though
Now you're just somebody that I used to know
Now you're just somebody that I used to know
Now you're just somebody that I used to know
Now and then I think of all the times you screwed me over
But had me believin it was always something that I'd done
But I don't wanna' live that way,
reading into every word you say
You said that you could let it go,
and I wouldn't catch you hung up on somebody that you used to know-oh-oh
but you didn't have cut me out
Make out like it never happened and that we were nothing (oh)
I don't even need your love, but you treat me like a stranger
and that feels so rough
(oh)
No, you didn't have to stoop so low
Have your friends collect you records
And then change your number (oh)
Guess that I don't need that though
Now you're just somebody that I used to know
somebody that I used to know
somebody (now your just somebody that I used to know)
that I used to know
somebody that I used to know
somebody (somebody)
that I used to know
I used to know
That I used to know
I used to know
Somebody
Subscribe to:
Posts (Atom)